Important Othello Quotes For Essays On Music

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  1. Act I, Scene 1: Iago informs Brabantio that Othello and Desdemona have eloped "I am one, sir, who comes to tell you your daughter and the Moor are making the beast with two backs." (Lines 128-131)
  2. Act I, Scene 2: Othello does not hide but his life on his reputation in regards to his marriage to Desdemona Not I.  I must be found. My parts, my title, and my perfect soul Shall manifest me rightly.  (lines 35-37)
  3. Act I, Scene 3: Desdemona defends Othello And so much duty that my mother showed To you, preferring you before her father, So much I challenge that I may profess Due to the Moor my lord.  (lines 213-218)
  4. Iago plots to ruin Othello He hath a person and a smooth dispose To be suspected, framed to make women false. The Moor is of a free and open nature That thinks men honest but that seem to be so, And will as tenderly be led by th' nose As asses are.  (lines 440-445)
  5. Othello praises his good fortune to be happy with his wife If it were now to die, 'Twere now to be most happy, for I fear My soul hath her content so absolute That not another comfort like to this Succeeds in unknown fate. (lines 205-209)
  6. Act III, Scene 3: Iago plays on Othello's fears O beware, my lord, of Jealousy! It is the green-eyed monster which doth mock The meat it feeds on.  That cuckold lives in bliss Who, certain of his fate, loves not his wronger; But O, what damned minutes tells he o'er Who dotes, yet doubts; suspects, yet strongly loves! (lines 195-200)
  7. Act IV, Scene 1: Othello accuses Desdemona of lying O, devil, devil! If that the Earth could teem with woman's tears,Each drop she falls would prove a crocodile.  Out of my sight! (lines 273-276)
  8. Act V, Scene 2: Othello convinces himself to kill Desdemona despite his love for her It is the cause, it is the cause, my soul.  Let me not name it to you, the stars.  It is the cause.  Yet I'll not shed her blood, Nor scar that whiter skin of hers than snow, And smooth as monumental alabaster. Yet she must die, else she'll betray more men. Put out the light, and then put out the light. (Lines 1-7)
  9. Othello, after unsuccessfully attempting to kill Iago: I am not sorry neither.  I'd have thee live, For in my sense 'tis happiness to die.  (lines 340-341)
  10. Othello kills himself: I kissed thee ere I killed thee.  No way but this,Killing myself, to die upon a kiss.  (lines 420-421)


Please see the bottom of this page for full explanatory notes.

ACT III SCENE I Before the castle. 
 Enter CASSIO and some Musicians. 
CASSIO Masters, play here; I will content your pains; 
 Something that's brief; and bid 'Good morrow, general.' 
 Enter Clown. 
Clown Why masters, have your instruments been in Naples, 
 that they speak i' the nose thus? 5
First Musician How, sir, how! 
Clown Are these, I pray you, wind-instruments? 
First Musician Ay, marry, are they, sir. 
Clown O, thereby hangs a tail. 
First Musician Whereby hangs a tale, sir? 10
Clown Marry. sir, by many a wind-instrument that I know. 
 But, masters, here's money for you: and the general 
 so likes your music, that he desires you, for love's 
 sake, to make no more noise with it. 
First Musician Well, sir, we will not. 15
Clown If you have any music that may not be heard, to't 
 again: but, as they say to hear music the general 
 does not greatly care. 
First Musician We have none such, sir. 
Clown Then put up your pipes in your bag, for I'll away: 20
 go; vanish into air; away! 
 Exeunt Musicians. 
CASSIO Dost thou hear, my honest friend? 
Clown No, I hear not your honest friend; I hear you. 
CASSIO Prithee, keep up thy quillets. There's a poor piece 
 of gold for thee: if the gentlewoman that attends 25
 the general's wife be stirring, tell her there's 
 one Cassio entreats her a little favour of speech: 
 wilt thou do this? 
Clown She is stirring, sir: if she will stir hither, I 
 shall seem to notify unto her. 30
CASSIO Do, good my friend. 
 Exit Clown. 
 Enter IAGO. 
 In happy time, Iago. 
IAGO You have not been a-bed, then? 
CASSIO Why, no; the day had broke 
 Before we parted. I have made bold, Iago, 35
 To send in to your wife: my suit to her 
 Is, that she will to virtuous Desdemona 
 Procure me some access. 
IAGO I'll send her to you presently; 
 And I'll devise a mean to draw the Moor 40
 Out of the way, that your converse and business 
 May be more free. 
CASSIO I humbly thank you for't. 
 Exit IAGO. 
 I never knew 
 A Florentine more kind and honest. 45
 Enter EMILIA 
EMILIA Good morrow, good Lieutenant: I am sorry 
 For your displeasure; but all will sure be well. 
 The general and his wife are talking of it; 
 And she speaks for you stoutly: the Moor replies, 
 That he you hurt is of great fame in Cyprus, 50
 And great affinity, and that in wholesome wisdom 
 He might not but refuse you; but he protests he loves you 
 And needs no other suitor but his likings 
 To take the safest occasion by the front 
 To bring you in again. 55
CASSIO Yet, I beseech you, 
 If you think fit, or that it may be done, 
 Give me advantage of some brief discourse 
 With Desdemona alone. 
EMILIA Pray you, come in; 60
 I will bestow you where you shall have time 
 To speak your bosom freely. 
CASSIO I am much bound to you. 

Othello, Act 3, Scene 2


Explanatory Notes for Act 3, Scene 1

From Othello. Ed. Brainerd Kellogg. New York: Clark & Maynard.

Abbreviations. — A.-S. = Anglo-Saxon: M.E. = Middle English (from the 13th to the 15th century) ; Fr. = French ; Ger. = German ; Gr. = Greek ; Cf. = compare (Lat. confer) ; Abbott refers to the excellent Shakespearean Grammar of Dr. Abbott; Schmidt, to Dr. Schmidt's invaluable Shakespeare Lexicon.


24. Quillets, short for quidlibet, anything; you choose.

45. Iago was a Venetian, and Cassio a Florentine.
{Additional Note: This line has prompted some needless debate over Iago's place of origin. Iago is identified as Venetian in two separate scenes in Acts 3 and 5. Cassio here is stating that he has never met someone -- not even a fellow Florentine -- as kind and honest as this Venetian Iago.}

47. Displeasure, the disfavor you are in.

61. Bestow, stow, place in secrecy.

How to cite the explanatory notes:

Shakespeare, William. Othello. Ed. Brainerd Kellogg. New York: Clark & Maynard, 1892. Shakespeare Online. 20 Feb. 2010. (date when you accessed the information) < >.


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 Lectures on Othello: Othello's Jealousy
 The Moral Enigma of Shakespeare's Othello
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 Stage History of Othello
 Othello: Plot Summary
 Othello: Q & A
 Quotes from Othello

 How to Pronounce the Names in Othello
 Iago Character Introduction
 Othello Character Introduction
 Desdemona Character Introduction
 Iago's Motives: The Relationship Between Othello and Iago
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 Othello: Essay Topics
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